Friday, January 18, 2008
Are You Interested in Photography?
Run, don't walk, over to the Houston Symphony this weekend for a stunning production of Strauss' Alpensinfonie, accompanied by photos taken by photographer/cellist Tobias Melle.
The photos are projected on a giant screen over the orchestra and change with the various points of narrative in Strauss' music. Since the name of the piece is "The Alpine Symphony," you can infer the subject of the photo montage. Thanks to today's technology, all sorts of fade in/out effects are seamlessly used (though at one point during the dress rehearsal today, I experienced a little motion sickness- the panoramic shot that panned a little too fast).
Richard Strauss is one of the few composers that dealt almost exclusively in program music; that is to say, music that is composed specifically with a story in mind. In music this is not quite as obvious as it is in art, (think Soup Cans vs. splatters) but really most of the time with "Program Music" the themes and their subjects are pretty obvious. But hey, this is America, home of "Are You Smarter Than a Fifth Grader?" where apparently it PAYS to be obvious.
My small tangent of bitter dissatisfaction with the dumbing down of our country aside, in the case of this production, the photos really do add to the piece. Its like accessing visual umami (take THAT "Are You Smarter Than a Fifth Grader!!"). It adds another dimension to the listening experience that actually in adding, creates something more than the sum of its parts. People who have experienced listening to great works of music while traveling through breathtaking scenery may know of what I speak.
While I have yet to find light waterproof speakers with sufficient decibel levels that I can attach to my hiking daypack, I have had moments like this while driving at top speed through the Arizona desert at night, blasting either Elgar's or Dvorak's Cello Concerto through the car stereo with the windows rolled down. And here's an eerie coincidence- we are ALSO, on the same program, playing Elgar's Cello Concerto with our Principal Cellist Brinton Averil Smith as the soloist. There won't be any accompanying scenery for the Elgar, you will have to use something called "your imagination" for that one. But never fear, the multi media show commences at the start of the second half, and you will be pulled along with us on the breathtaking journey.
I hope to see you there (though you won't see me, we will be in the dark) and welcome any descriptions of musical umami from you loyal readers! Where were you and what was playing when you had your transcendental experience? Inquiring minds want to know!
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4 comments:
Hi Rita,
This concert has been on my mind ever since I saw it this weekend. So, I just wanted to stop by and say thanks for writing about it because I wasn’t planning on going until I read your blog.
If I may; I would like to mention an aspect of the stage setting that most people probably didn’t notice. The marriage of the pictures and music was magnificent. But I found the orchestra being in the shadows created an ambiance to the evening that added greatly to my visual umami of the situation.
With the way my mind works, I thought the soft reflection of the music stand lights off of the musicians and their clothing caused a glow to emanate from the orchestra. Like that of a campfire after the flames have died down and all that is left are the glowing embers. At one point even, being caught up in the moment, my mind carried me off and I imagined I was in a quaint Swiss château, looking out a giant picture window at the mountains as a warn cozy fire cracked in the fireplace and the Houston Symphony Orchestra played Strauss' Alpine Symphony on my mega buck surround sound stereo system. But then, like I said, that’s just the way my mind works. I don’t think anyone around me shared in the experience.
One last thing; as far as I am concerned the best seat in Jones Hall for this kind of performance is the very last row of the upper mezzanine – where I was. That way you can take in the whole setting of pictures, music and glowing orchestra all at once. Another cool thing about the last row is that this is where the projection room is located – from which the pictures are being projected onto the screen. I found that if you were seated directly in front of the projection room and raised your hand high enough, your hand would pass through the light of the pictures being projected on the screen… thus, making it possible to further enhance the performance with shadow puppets of rabbits and ducks running along the bottom of the pictures. Tempting as it was I did behave myself and overcame the erg to start my fifteen minutes of fame at the moment.
Thanks again for your music and blog Miss Rita.
Jim - The Shadow Puppeteer
Hey Rita,
Another crazy idea...
Students get all-day passes to the Beethoven experience for $25 right? Why doesn't the Houston Symphony send a few folks to a few local colleges/universities (I'm at College of the Mainland) and advertise this super day? (I personally think it should be a national holiday... Beethoven Day.)The idea of spending a day in downtown in a nice hall listening to real, live music might appeal to people that don't normally listen to classical music. Anyway, sorry I have to bore you with my crazy ideas... I just don't know who else to unload them to!!!
Practicing opus 59 yet?? I have zero knowledge on how much preparation something like that takes, but surely you'd have to be practicing it a bit a few weeks in advance??
-John
Hi John, great idea, I'll pass it along. We started Op 59 in December, and have already had one concert! We have one more before Mar. 8. Look forward to seeing you there- bring a lot of friends...or Ludwigophiles...
So I somehow missed this post. But since I am sure the inquiring minds are Maestro Graf and other people who choose what will be accompanied on programs, I feel it is good for somebody to actually leave their reflections.
I personally thought it was incredible. The photographs were spectacular. I am not sure who selected the order, but there was a coehsive flow within the photographs and the actual musical composition. I am sometimes skeptical of things like this, but it worked very nicely. The HSO has been taking some... not risks, but inovative steps, what with the Mendelssohn Midsummer's Night and this. All large successes. I wonder if any like this will exist next season.
But summing things up, I largely enjoyed both of these and my final opinion is that the photographs highly enhanced the experience and concert.
P.S. Brinton's Elgar was a amazing. I even got his autograph on his very own Houston Symphony Trading Card.
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